New Chinese cinema
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New Chinese cinema challenging representations by Sheila Cornelius

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Published by Wallflower in London, New York .
Written in English

Subjects:

  • Motion pictures -- China -- History,
  • Motion pictures -- Social aspects -- China,
  • Motion pictures -- Political aspects -- China

Book details:

Edition Notes

StatementSheila Cornelius with Ian Haydn Smith.
SeriesShort cuts -- 11., Short cuts (London, England) -- 11.
ContributionsSmith, Ian Haydn.
The Physical Object
Pagination133 p. :
Number of Pages133
ID Numbers
Open LibraryOL23241855M
ISBN 101903364132
ISBN 109781903364130

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  New Chinese Cinema: Challenging Representations examines the -search for roots- films that emerged from China in the aftermath of the Cultural Revolution. Sheila Cornelius contextualizes the films of the so-called Fifth Generation directors who came to prominence in the s and s, such as Chen Kaige, Zhang Yimou, and Tian Zhuangzhuan/5. ?The Chinese Cinema Book provides an essential guide to the cinemas of the People's Republic of China, Hong Kong, Taiwan and the Chinese diaspora, from early cinema to the present day. With contributions from leading international scholars, the book is structured around five thematic sections: Territories, Trajectories, Historiographies; Early Cinema to ; The Forgotten Period: –80 Cited by: 7. New Chinese Cinemas analyzes the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic. New Chinese cinema. [Kwok-kan Tam; Wimal Dissanayake] New Chinese cinema. Hong Kong ; New York: Oxford University Press, (OCoLC) Document Type: Book: All Authors / Contributors: Kwok-kan Tam; Wimal Dissanayake. Find more information about: ISBN.

Arguably the first book to take a generational approach to the Chinese cinema, this book offers a broad picture of the evolution of Chinese cinema in its historical context, as well as thorough and insightful analyses of representative films from different generations.   The Chinese Cinema Book provides an essential guide to the cinemas of the People's Republic of China, Hong Kong, Taiwan and the Chinese diaspora, from early cinema to the present day. With contributions from leading international scholars, the book is structured around five thematic sections: Territories, Trajectories, Historiographies; Early Cinema to ; The Forgotten . Transnational Chinese Cinema Studies / 9 Chris Berry 2. National Cinema as Translocal Practice: Reflections on Chinese Film Historiography / 17 Yingjin Zhang 3. Cinemas of the Chinese Diaspora / 26 Gina Marchetti 4. Six Chinese Cinemas in Search of a Historiography / 35 Song Hwee Um PART TWO / EARLY CII\IEMA TO 5. Shadow Magie and the. The cinema of mainland China is one of three distinct historical threads of Chinese-language cinema together with the cinema of Hong Kong and the cinema of Taiwan.. Cinema was introduced in China in and the first Chinese film, Dingjun Mountain, was made in In the early decades the film industry was centred on first sound film, Sing-Song Girl Red Peony, using the sound-on Main distributors: China Film (%), Huaxia (%), .

  With his new book, “Hollywood Chinese: The Chinese in American Feature Films,” out Oct. 17, the Oscar-nominated filmmaker dives deep into the history of Chinese representation in U.S. cinema Author: Audrey Cleo Yap. Description of the book "The Chinese Cinema Book": "The Chinese Cinema Book" provides an essential guide to the cinemas of the People's Republic of China, Hong Kong, Taiwan and the Chinese diaspora, from early cinema to the present day. Global Art Cinema: New Theories and Histories Traditions in World Cinema European Film Noir. Best books. //New Release// The Chinese Cinema Book (2nd Edition, Edited by Song Hwee Lim and Julian Ward) This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day. Chinese Martial Arts Cinema: The Wuxia Tradition By Stephen Teo Edinburgh University Press, Read preview Overview Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV By Michael Curtin University of California Press,